Proyecto de innovación docente incluido en el Plan para la Renovación de las Metodologías Docentes
Mona Lisa Smile review
Publciado por withnailiblog - 28/01/10 a las 10:01:24 pmIn this girls’ own Dead Poets Sorority, maverick art chronicle prof Katherine Watson (Roberts) strains to inform Eisenhower-date lassies that college can be more than a ingenious diversion before they settle down to the real business of homemaking and child-rearing. Annihilated on her first day of class by a phalanx of know it alls, Katherine rips a folio from To Sir, With Love when she tosses aside the lesson map out someone is concerned a more improvisatory agenda, entailing much fashionable painting and some leftover-curricular agitating. Her icy sweet tutelage will scuff and soften Dunst’s patent leather façade of self-satisfied squeamishness, and leave everyone else scrambling atop the nearest desk in vehicle salute. A solo crusader in wire knits, busybody Katherine is more than simply angry with the mid-century sexism that her charges demand so seamlessly internalised - she seems entirely unplugged from reality in 1953. Roberts’ totally contemporary acting, inclination heavily on nose-flaring incredulity, only intensifies the feeling of disconnection. Liken Harden’s go-as far as something-broke portrait of the ‘poise instructor’, slouching toward Havisham and drowning in chintz. The documentation of ownership promises the transcribe of benevolent enigma that Robin Williams impersonated in Dead Poets, but the only mysteries of Mona Lisa Smile denouement develop from frenzied corner cutting as Newell speeds through the last reel, an exhausting cram period of hair trigger speechifying and identity transformations bordering on science fiction. JWin.
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